This is a monochrome photograph of sculpted outdoor street lamps.
I took this picture in Paris, near La Defense, circa May 1992. It was a dull day to say the least, though one can just about make out a modicum of sunlight above the clouds which has nearly brightened the picture in the sky area.
The idea was to get close enough to be shooting upward against the sky in order to isolate the lights from their cluttered background. Using the effect of converging vertical lines to bring the five poles, which were standing apart from one another, together and emphasise the screw thread effect. The exposure was as long as I could risk hand holding to keep some detail in what I knew would most likely be a semi-silhouette.
The film is Ilford HP5. I would have rated the film at 400ASA and developed the film in Ilford ID11, stock diluted 1+3. This photograph was taken on a very cloudy and dull day.
This is a monochrome photograph of an abandoned Citroën 'H' Van and Citroën '2CV'.
I took this picture in Brittany, circa May 1992. The Van was a drab, silver-gray colour and the 2CV was white. This somewhere near Quimper. There was, pretty much, nothing else besides more empty fields around this area.
The empty, quiet, loneliness, except for these two dumped vehicles, seemed at that time to fit my frame of mind. I had lost my Father the previous October and my maternal Grandmother on Christmas eve night; both to cancer.
Though I'm never sad looking at this picture. Moreover, I had and still have a sense of acceptance and of moving on. No, I never feel down at seeing this photograph.
The film is Kodak 5063 TX or as I knew and loved it Tri-X. I would have rated the film at 1600ASA/ISO using a red cokin 'A' filter and developed the film in Kodak HC110 solution B, 1+39. I was, just a little, into that infrared-ish look back then.#photography#monochrome#film#Quimper#Brittany#Citroën
I took this photograph back in the day, circa 1998. I had been out with an SLR camera loaded with colour reversal film. I have no recollection of this walk though I imagine I had been walking near to the Helicopter Museum, Locking, Weston-super-Mare.
I do remember though: walking back along the footpath towards Locking Castle which runs below and to the left of the carriage way, towards Weston and looking up into an azure blue sky, seeing this street lamp and photographing it. 'OneEyeOpen' – 'Life through a viewfinder' – Just the one shot.
#photograpy#film#WestonSuperMare#WsM#ColourReversal
As I approached Tyntsfield, Bristol, UK this morning the sky was blue, though cloudy, with some sunshine. I was hopeful for some good, autumnal, lighting and colour. However, by the time I had parked, scanned my ticket at the machine and got into the grounds, that had all changed.
In the foreground is brown leaves and a fallen bow strewn on the floor, under a big old tree. Green grass and various trees are in the middle ground. A bright sky and a few houses are in the background.#Tyntsfield#NationalTrust#DigitalColour
This double nut and bolt are part of the steelwork that is fixed to the concrete of the sea wall at Burnham-on-Sea, Somerset, UK.
I had half an hour to spare and decided to walk along the beach in the sunshine. I'd never, previously, looked all that closely at this stuff, though in the sunlight these large fixings really stood out. Covered in grey, thick, protective paint though the first appearances of orange rust just brought the photo together for me.
#NutAndBolts#metalics#BurnhamOnSea#BoS#DigitalColour
When something that you wouldn't give a second look catches your eye, then you look again through the viewfinder of your camera, maybe even with one eye open, and sometimes magic just happens.
#NutAndBolts#metalics#BurnhamOnSea#BoS#DigitalColour
This double nut and bolt are part of the steelwork that is fixed to the concrete of the sea wall at Burnham-on-Sea, Somerset, UK.
I had half an hour to spare and decided to walk along the beach in the sunshine. I'd never, previously, looked all that closely at this stuff, though in the sunlight these large fixings really stood out. Covered in grey, thick, protective paint though the first appearances of orange rust just brought the photo together for me.
When something that you wouldn't give a second look catches your eye, then you look again through the viewfinder of your camera, maybe even with one eye open, and sometimes magic just happens.
This is a monochrome photograph of sculpted outdoor street lamps.
I took this photograph back in the day, circa 1998. I had been out with an SLR camera loaded with colour reversal film. I have no recollection of this walk though I imagine I had been walking near to the Helicopter Museum, Locking, Weston-super-Mare.
I do remember though: walking back along the footpath towards Locking Castle which runs below and to the left of the carriage way, towards Weston and looking up into an azure blue sky, seeing this street lamp and photographing it. 'OneEyeOpen' – 'Life through a viewfinder' – Just the one shot.
As I approached Tyntsfield, Bristol, UK this morning the sky was blue, though cloudy, with some sunshine. I was hopeful for some good, autumnal, lighting and colour. However, by the time I had parked, scanned my ticket at the machine and got into the grounds, that had all changed.
